Monday, 15 November 2021

Tex Ritter Western #01-#20 (1950 - 1954) Fawcett - Complete Series


 1950 Series

Publisher: Fawcett
Publication Dates: October 1950 – January 1954
Number of Issues Published: 20 (#1 – #20)
Color: Full Color
Dimensions: Standard Golden Age U.S.
Paper Stock: Glossy Cover; Newsprint Interior
Binding: Saddle-stitched
Publishing Format: Was Ongoing
Publication Type: magazine
Pages:  36      Indicia Frequency:  bimonthly

Numbering continues with Tex Ritter Western (Charlton, 1954 series) #21

Authors :

Script: Joe Gill ?,

Pencils :
Tony Tallarico , Pete Riss ?
Stan Campbell?

Inks :
Pete Riss ?, Tony Tallarico , Stan Campbell?







Link👇

Thursday, 11 November 2021

Tex Ritter Western #21 - #46 (1954 - 1959) Complete Series [Charlton Comics Collection]

 Charlton, 1954 Series

Published in English (United States) United States
Publication Dates:  March 1954 - May 1959
Number of Issues Published:  26 (#21 - #46)
Color:  Color
Dimensions:  Standard Silver Age US
Paper Stock:  Glossy cover; Newsprint interior
Binding:  Saddle-stitched
Publishing Format:  Was ongoing
Publication Type:  magazine
Pages:  36    Indicia Frequency:  bimonthly

Tracking:
numbering continues from Tex Ritter Western (Fawcett, 1950 series) #20

Notes: 
Indicia titles in issues #21-35, #39-46 are "Tex Ritter Western".
Indicia titles in issues #36-38 are "Tex Ritter"



Tex Ritter began strong in comic books at Fawcett with #1 in October ‘50 and finished with some dreadful art by an unknown “artist” at Charlton in #46 (May ‘59). Tex’s starring B-western days were over in 1945, so the comics were trading on his lasting popularity through TV reruns of his Grand National, Monogram, Columbia, Universal and PRC series.

Fawcett started with photo covers, front and back, through #5. Some older photos were used but a new group shot expressly for comic book covers was taken in late ‘50. The front photo-covers continued through #21, but Charlton took over the publishing of TEX RITTER WESTERN with #21 (when Fawcett folded in the Fall of ‘53) and went to art-drawn covers with #22, although b/w movie scenes were featured on their back covers til #36 (#26 even shows Johnny Mack Brown with Tex).


Tex’s horse was White Flash, as in his films, but, for whatever reason, Fawcett gave Tex a dog, Fury, that he never had in the movies. After #22 at Charlton, Fury came and went as needed.

In the beginning, artwork was by Tony Tallirico who captured the looks and essence of Ritter. By #18, Bud Thomson, and occasionally Sheldon Moldoff, took over and the art started to wane badly. Stan Campbell assumed art chores when Charlton took over with #21. His work was rushed, as most Charlton artists’ work was as the company paid poorly, and Tex’s appearance varied throughout the issue, often looking quite pudgy faced. Campbell improved slightly as the issues went on but he was gone by #32 with shoddy artwork following by the teams of Dick Giordano/Vince Alascia and Charles Nicholas/Sal Trapani. Fawcett reprints had also started filtering in with #28 (#30, 31 were all reprint material). This combination of hurried, poor art and reprints render these later TEX RITTER WESTERN issues worthless to Ritter fans. The final issue (#41) is just terrible, making Tex look like an unrecognizable 19 or 20 year old kid.

Authors :

Script: Joe Gill ?,

Pencils :
Stan Campbell (signed), Dick Giordano (signed), Fred Guardineer ?, Charles Nicholas, 
Rocco "Rocke" Mastroserio (signed), Tony Tallarico ?; Bill Fraccio ?, Bill Molno,
Maurice Whitman ?, Joe Maneely, Ernie Hart.

Inks :
Stan Campbell (signed), Dick Giordano (signed), Vince Alascia (signed), Ray Osrin (signed),
Fred Guardineer ?, Sal Trapani ?, Tony Tallarico, Joe Maneely, Ernie Hart.

Letters:  Charlotte Jetter










Link 👇

Monday, 8 November 2021

Hunk #01 - #11 (1961 - 1963) Complete Series [Charlton Comics Collection]



 Charlton, 1961 Series
Published in English (United States) United States
Publication Dates:  August 1961 - May 1963
Number of Issues Published:  11 (#1 - #11)
Color:  Color
Dimensions:  Standard Silver Age US
Paper Stock:  Glossy cover; Newsprint interior
Binding:  Saddle-stitched
Publishing Format:  Was ongoing
Publication Type:  magazine
Pages:  36  Indicia Frequency:  bimonthly

Authors :

Script :
Joe Gill ?

Pencils & Inks : 
George Wildman, Pat Masulli (signed), Jon D'Agostino (signed), 
George Wildman

Letters : 
Jon D'Agostino











Link 👇

Thursday, 4 November 2021

True Comics #01 - #84 ( 1941-1950) Parents' Magazine Press - Complete Series

Parents' Magazine Press, 1941 Series

Publication information: 

Publisher The Parents' Institute
Schedule Monthly, then bi-monthly
Format: Ongoing series
Genre: Historical
Publication date: April 1941 – August 1950
No. of issues 84
Editor(s) David T. Marke
Ralph O. Ellsworth

Authors: 

Script
Hendrik Willem van Loon, Nathaniel Nitkin, Lowell Thomas
Pencils
Hendrik Willem van Loon, Edwin Smalle Jr., John Daly, 
Harold De Lay, Bernard Flinton; Harry Ramsey, Henry Kiefer
Logan Reavis, Michel Roy [Mike Roy],
Inks
Hendrik Willem van Loon ?, John Daly ?, Bernard Flinton; Harry Ramsey
Harold De Lay ?, Henry Kiefer ?, Michel Roy [Mike Roy],

True Comics is an educational comic book series published by The Parents' Institute, whose main publication was Parents' Magazine. The series ran for 84 issues, from April 1941 until August 1950, when Parents' cancelled all of their comic book series. True Comics was the most successful, or at least longest-running educational comic book series, and spawned several imitators, including DC Comics' Real Fact Comics. The series embraced the motto of "truth is stranger than fiction," and attempted to demonstrate that children would prefer "real fact" stories over fictionalized ones. By its cancellation in 1950, Parents' had rolled at least 4 of its cancelled solo comics series into True Comics.

Publication history

George J. Hecht, founder and publisher of Parents' Magazine, introduced True Comics in the aftermath of an attack on comic books by Sterling North, a children's author. In his position as a columnist at the Chicago Daily News, North published an invective against comic books titled "A National Disgrace," where he referred to comic books as "graphic insanity" and "sex-horror serials." Charging parents and teachers with "breaking the comic book," North suggested that children be furnished with proper works of literature to dissuade them from reading comic books.

Clara Savage Littledale, an editor at Parents', introduced the series as part of a March 1941 article titled "What To Do About the 'Comics'?" True Comics, close to North's intentions, 
was to provide a wholesome substitute of a comic book for children.
 In the introduction to True Comics #1, Hecht wrote,

As you all know there are many comic magazines. Originally the comic strips in newspapers and the comic magazines tried to be funny, and in a few cases succeeded. But nowadays most of the comic magazines no longer even try to be funny. They consist largely of exciting picture stories which everyone recognizes as not only untrue but utterly impossible. We are happy to present herewith a new and thoroughly different comic magazine. Lord Byron write many years ago: "T is strange, but true; for truth is always strange--Stranger than fiction." We have adopted as the slogan of True Comics, "Truth is stranger and a thousand times more interesting than fiction!" We are sure that you will agree after reading this issue.

— George J. Hecht, True Comics #1

True Comics was also one of, if not the first comic book series to have an editorial board overseeing its content. As historian Jill Lepore said in her work The Secret History of Wonder Woman, "...what really set True Comics apart was that it was overseen by an editorial advisory board of experts: professors, especially historians, educators, and even the public-opinion pollster George Gallup."

From Wikipedia, the free encyclopedia










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