Showing posts with label Reg Bunn. Show all posts
Showing posts with label Reg Bunn. Show all posts

Wednesday, 16 September 2026

The Steel Claw from Valiant (1962-1973) V1 - V5. Compiled and edited by H. C.

 


The Steel Claw
Publication information
Publisher: IPC Magazines/ Quality Comics/Wildstorm (DC Comics)
First appearance: Valiant #1 (October 6, 1962)
Artists : Jesús Blasco Tom Kerr, Massimo Belardinelli, Carlos Cruz, Reg Bunn.
Writers :  Ken Bulmer, Tom Tully.

The Steel Claw is the definitive centerpiece of the 1960s British adventure comic Valiant, published by Fleetway Publications. Making its debut in the very first issue 
on October 6, 1962, the strip ran continuously for over a decade, anchoring 
the weekly anthology and becoming one of the most successful and 
syndicated British comic creations of all time.

Within the pages of Valiant, the character underwent a dramatic evolution 
that mirrored the changing pop-culture landscape of the 1960s and 70s.

The Era of Villainy (1962–1963)
When the strip launched in Valiant #1, Louis Crandell was not a hero. He was a bitter, brilliant assistant to the scientist Professor Barringer. After a lab explosion fused a nuclear grid shock through his prosthetic metal hand, Crandell discovered he could turn invisible for short bursts—except for his steel claw.Driven mad by the power, he used his invisibility to terrorize Britain.
In his early Valiant appearances, he was a genuine, high-stakes supervillain, threatening to destroy cities, extorting governments, and matching wits with the military.

The Secret Agent Era (1963–1965)
Recognizing the character's massive popularity, the creators initiated a redemption arc. Crandell's insanity wore off, and remorseful for his crimes, he offered his unique stealth 
abilities to the British Government.He was recruited into the Shadow Squad, a highly classified espionage unit run by a commander known as "The Chief."This era shifted The Steel Claw
 into a gritty, Cold War spy thriller, highly influenced by the surging global popularity
 of James Bond. Crandell traveled the world fighting megalomaniacs, rogue states, and alien threats.

The Superhero Transformation (1966–1967)
By the mid-1960s, the American "superhero boom" (led by Marvel Comics and the Batman TV show) hit the UK. Valiant adapted by transforming Crandell once again.He donned a sleek, grid-patterned superhero costume.His famous steel claw was upgraded into a modular weapon, capable of firing lethal electrical blasts, knockout gas, and sleep rays, or even detaching to act independently.

The Freelance & Detective Era (1967–1975)
When the superhero craze faded, the strip pivoted into an action-detective format. Crandell left the government to become a freelance investigator and adventurer. This era featured some of his most bizarre and sci-fi-heavy storylines, including the famous "Reign of the Brain" arc, where he fought a giant, disembodied alien brain that took over Britain.

The End of the Valiant Run
The original weekly strip finally concluded in Valiant in 1973, though Crandell continued to appear in Valiant Annuals and holiday specials until 1975, right before Valiant 
merged with Battle Picture Weekly.













5 volumes totaling more than a thousand pages

Compiled and edited by H. C. 

We thank H. C. for his courtesy in offering our reader 
this magnificent compilation.

Friday, 27 June 2025

Thriller Comics Library.- #121 Seven Stars [Dick Turpin] / #122 Robin Hood / #123 Crazy Horse Warlord of the Sioux (IPC 1956 Series)

  Thriller Comics Library
Publisher: IPC
Publication Dates: November 1953 - 5 February 1957
Number of Issues Published: 122 (#41 - #162)
Color: Colour cover; black and white interior
Dimensions: Digest
Binding: Squarebound
Publishing Format: was ongoing
Publication Type: magazine 
68 pages   -   Indicia Frequency: The First Thursday in Each Month

Numbering continues from Thriller Comics (IPC, 1951 series) #40
Numbering continues with Thriller Picture Library (IPC, 1957 series) #163





#121 Seven Stars [Dick Turpin] 

IPC, Feb 9, 1956  Series

Cover/  Pencils & Colors :  D. C. Eyles (signed as D. C. E.) (painting)
Script, : ??

Pencils & Inks:  Cecil Langley Doughty




#122  Robin Hood

IPC, Feb 9, 1956  Series

Cover/  Pencils & Colors :    Sep E. Scott (painting)

The Treasure of Richard the Lionheart

Script , Pencils & Inks: : D. C. Eyles (page 1) - Reg Bunn (pages 2-52)

The Sheriff's Feast

Script , Pencils & Inks: : Patrick Nicolle 



#123 Crazy Horse Warlord of the Sioux

IPC, Feb 9, 1956  Series

Cover/  Pencils & Colors :  D. C. Eyles (painting)
Script, : ??

Pencils & Inks: Sergio Tarquinio


Friday, 1 November 2024

Super Detective Library (#01 - #154) 1953 - 1959. Amalgamated Press / Super Detective Picture Library (#155 - #188) 1959 - 1961. IPC [Complete Series]


Super Detective Library
Amalgamated Press, 1953 Series
Published in English (United Kingdom)  United Kingdom

Publication Dates:  March 1953 - 1959 ?
Number of Issues Published:
154 (#01 - #154)
Color:
Colour cover; Black and white interior
Dimensions:  Digest
Paper Stock:  Glossy cover; newsprint interior
Binding:  Squarebound
Publishing Format:  Was ongoing
Publication Type:  magazine
 Pages 68        Indicia Frequency The first Thursday in each month

Tracking:
numbering continues in Super Detective Picture Library (IPC, 1959 series)

Notes:

Exact change remains to be documented.
Investigate where the title and publisher changed from Super Detective Library
 (Amalgamated, 1953 series) to 
Super Detective Picture Library (Fleetway, 1959 series). Check #153-155.

Authors: 

Script:  ?, Victor Canning 
Pencils:  ?,  Reg Bunn, Ron Embleton
Inks:  ?,   Reg Bunn, Ron Embleton
Letters:    ?



Super Detective Picture Library
IPC, 1959 Series
Published in English (United Kingdom)  United Kingdom

Publication Dates:
1959 - [January 2] 1961
Number of Issues Published:
34 (#155 - #188)
Color:
Colour cover; Black and white interior
Dimensions:  Digest
Paper Stock:  Glossy cover; newsprint interior
Binding:  Squarebound
Publishing Format:  Was ongoing
Publication Type:  magazine
 Pages 68      Indicia Frequency ?

Tracking:
numbering continues from Super Detective Library (Amalgamated Press, 1953 series)

Note:
Exact change remains to be documented.

Notes:
Investigate where the title and publisher changed from Super Detective Library (Amalgamated) to Super Detective Picture Library (Fleetway). Check #153-155.

Authors: 

Script:  ?, Victor Canning 
Pencils:  ?, Ron Turner
Inks:  ?,   Ron Turner
Letters:    ?






Super Detective Library was a picture library published by Amalgamated Press, 
then Fleetway, from 1953 to 1960.

It originally focused on characters from existing detective stories across literature
 (The Saint, Bulldog Drummond, Fu Manchu), radio (Dick Barton)
 and film (Harry Lime 
of The Third Man fame).

From relatively early on the comic also dabbled in science fiction. Issue 14 introduced a new character, Rod Collins - Special Agent in Space; shortly after this came stories such as Kidnapped by Martians (issue 23) and Revolt on Venus (issue 35).

Issue 37, with its story "Crime Rides the Spaceways", introduced a longer-lasting spacefaring detective named Rick Random. Although the science fiction stories accounted for a surprisingly large chunk of the comic's output during this time, there was still time for more traditional detectives: Sherlock Holmes made his debut in issue 65. Around the same time the comic also introduced Inspector Chafik of the Baghdad Police and the female detective Lesley Shane; these two emerged, alongside Rick Random, as the comic's main characters.

Later, the comic begun to rely heavily on reprints of the American strip Rip Kirby, the original characters - aside from Rick Random - being sidelined in the process.
Reprints of the British newspaper strip Buck Ryan also began appearing towards the end
 of the comic's life, along with John Steel, a character who also appeared in
Thriller Picture Library.



Super Detective Library was a digest sized, 68 page comic with painted covers and black and white interiors that ran from 1953 to 1960 and appeared twice a month.

It featured a rotating roster of detective and science fiction stories from English, Canadian and American artists and writers, and an artistic and writing style that you don’t see anymore.

Most issues were original stories and art, however they would from time to time fill the S.D.L. with reprints of newspaper strips such as America’s Rip Kirby.






 # 98, 122 & 172  Courtesy of Jens Terje





Wednesday, 3 April 2024

Thriller Comics Library.- #110 Robin Hood The Triumphant #111 Strongbow the Mohawk #112 Draw Near to Battle (IPC 1955 Series)

     Thriller Comics Library
Publisher: IPC
Publication Dates: November 1953 - 5 February 1957
Number of Issues Published: 122 (#41 - #162)
Color: Colour cover; black and white interior
Dimensions: Digest
Binding: Squarebound
Publishing Format: was ongoing
Publication Type: magazine 
68 pages   -   Indicia Frequency: The First Thursday in Each Month

Numbering continues from Thriller Comics (IPC, 1951 series) #40
Numbering continues with Thriller Picture Library (IPC, 1957 series) #163




#110  Robin Hood The Triumphant

IPC, Dec 1, 1955  Series

Cover/  Pencils & Colors :    Sep E. Scott (painting)

Script:  ? ? (adaptation)

Pencils & Inks: D. C. Eyles & Reg Bunn

4 stories :

- Robin Hood Triumphant 
- The Vanishing Venison
- The Secret of the Old Dark Inn
- The Viking Raiders


#111 Strongbow the Mohawk 

IPC, Jan 5, 1956  Series

Cover/  Pencils & Colors :    Sep E. Scott (painting)

Script: Mike Butterworth, Colin Thomas

Pencils & Inks: D. C. Eyles & Reg Bunn


#112 Draw Near to Battle

IPC, Jan 5, 1956  Series

Cover/  Pencils & Colors :   D. C. Eyles (painting)

Script:  Jere Wheelwright (original story); ? (adaptation)

Pencils & Inks:  John McNamara



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