1991 Series
Publisher: Innovation
Publication Dates: August 1991 – 1993
Number of Issues Published: 12 (#01 – #12)
Color: color
Dimensions: standard Modern Age US
Binding: saddle-stitched
Publishing Format: Was Ongoing
Publication Type: magazine
Pages 36 Indicia Frequency ?
Continues with Lost in Space: Voyage to the Bottom of the Soul (Innovation, 1993 series) #13
Authors:
Script: David Campiti, Bill Mumy
Pencils: Mike Okamoto (painting), Jason Palmer (painted)
Eddy Newell; Mark Jones (illustrators), Michal Dutkiewicz (painted)
Inks: Mike Okamoto (painting), Jason Palmer (painted), Shane Glines,
Eddy Newell; Mark Jones (illustrators), Michal Dutkiewicz (painted)
Colors: Mike Okamoto (painting), Jason Palmer (painted)
Michal Dutkiewicz, Mike Deodato Jr. (signed),
Matt Thompson (signed), Scott Rockwell
Letters: Vickie Williams,
Editing: David Campiti; George Broderick Jr
Lost in Space: Voyage to the Bottom of the Soul
1993 Series
Publisher: Innovation
Publication Dates: 1993 – 1994
Number of Issues Published: 6 (#13 – #18)
Color: Color
Dimensions: standard Modern Age US
Binding: saddle-stitched
Publishing Format: Was Ongoing
Publication Type: magazine
Pages 36 Indicia Frequency ?
Authors:
Script: Bill Mumy
Pencils: Michal Dutkiewicz, Mike Deodato Jr. (signed), Matt Thompson (signed)
Inks: Matt Thompson (signed)
Colors: Michal Dutkiewicz, Mike Deodato Jr. (signed),
Matt Thompson (signed)
Letters
Vickie Williams, George Broderick; David Campiti
Numbering continues from Lost in Space (Innovation, 1991 series) #12
Lost in Space was a comic book published by Innovation Comics, based upon the television series Lost in Space. It utilized the settings and characters from the series, but was set years after the end of the series, and featured older characters coming to terms with being cut off
from Earth for so many years.
In the 1980s, Bill Mumy (who played Will Robinson on the series) had tried, and failed, to convince Irwin Allen to allow production of a Lost in Space film for theatres or TV. In 1991, a fledgling publisher called Innovation Comics began to produce an ambitious, high-quality Lost in Space comic, which was authorized and licensed. It was scripted by Mumy himself, and his intention was to reflect the more serious tone of the first season episodes, but this was somewhat undercut by artwork that sexualized the characters of Judy and Penny Robinson, prompting some exasperated notes from Mumy in the editorial pages.
The comic also established a romantic triangle between Judy, Penny (now depicted as someone in her late teens), and Don that was not present in the original series.
One storyline in this comic book retcons the “serious episodes”—which some critics claim ended about a third of the way through the first season—as excerpts from Prof. Robinson’s log, while the more humorous episodes were taken from Penny’s diary. Also suggested is the idea that Dr. Smith is working with some of the aliens encountered in the early episodes, rather than with any terrestrial source, as evidenced by his efforts to make radio contact with some third party after the Jupiter II has left Earth.)
Lost in Space was Innovation’s best selling property, outselling all their other comics combined. The comic only managed to run for 18 issues, 2 annuals and 1 of 2 issues of a miniseries however, but not because of poor sales. Innovation’s ambitious projects couldn’t keep ahead of their bottom line, and the company went out of business.
While this left a major story arc unresolved, a trade paperback entitled
“Voyage to the Bottom of the Soul” was later published, completing the story.
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Link: Lost In Space #01-#18⇲⇲
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