Cortez conqueror of Mexico - Eagle [Compilation]

 Without information authors

20 pages

Link: Cortez conqueror of Mexico - Eagle⇲⇲

Lash LaRue Western #47 – #84 (1954 – 1961) Complete Series [Charlton Comics Collection]

1954 Series

Publisher: Charlton

Publication Dates: March-April 1954 – June 1961

Number of Issues Published: 38 (#47 – #84)

Color: Color

Dimensions: Standard Silver Age US

Paper Stock: Newsprint

Binding: Saddle-stitched

Publishing Format: Was ongoing

Publication Type: magazine

Pages 36     Indicia Frequency:  bi-monthly

Numbering continues from Lash Larue Western (Fawcett, 1949 series) #46

Authors: 

Script:
Pete Morisi; Joe Gill?, 

Pencils:
John Belfi (signed), Dick Giordano, Stan Campbell,  Pete Morisi [as PM], Bill Fraccio, 
Charles Nicholas [as ChaSal], Bill Molno, 

Inks:
John Belfi (signed), Vince Alascia (signed), Stan Campbell, Tony Tallarico, 
Pete Morisi, Sal Trapani [as ChaSal], 

Colors:  ?        Letters: Ed Hamilton ?

Alfred “Lash” LaRue (June 15, 1917–May 21, 1996) was a popular western motion picture star of the 1940s and 1950s. He had exceptional skill with the bull whip and taught Harrison Ford how to use a bullwhip in the Indiana Jones movies. LaRue was one of the first recipients of the Golden Boot Awards in 1983.

Lash LaRue was a roving U. S. Marshal who with his horse Black Diamond (some times called Rush) patrolled the American West righting wrongs and giving lectures about right and wrong and whip safety.

Although he carried a gun, he was noted for preferring to use an 18 foot long bull whip which confronting the bad guys, Lash was so proficient with the whip that he could do more than just battle with one of his more common stunts being saving people about to fall to their doom by wrapping the whip around them, often while at full gallop on Black Diamond, and pulling them to safety. Lash was also known for always wearing black.

He was often opposed by his identical twin brother, a villain known as the Frontier Phantom.

Alfred “Lash” LaRue (June 14, 1921–May 21, 1996) was one of many actors in the 40s and 50s who spent most of his career making B-Westerns, originally hired because he looked enough like Humphrey Bogart that producers thought this would draw in more viewers, along with using his real last name as the name for most of his film characters LaRue also used his real skill with a whip to make his screen character presents more unique.

The comic book series that was named after his screen character was one of the most popular Western Comics published, running for 12 years at Fawcett and then Charlton.

Information thanks to the Grand Comic Database

Links: Lash LaRue Western #47 – #84⇲⇲

Lash LaRue Western #01 – #46 (1949 – 1954) Fawcett - Complete Series

1949 Series

Publisher: Fawcett

Publication Dates: Summer 1949 – January 1954

Number of Issues Published: 46 (#01 – #46)

Color: Full Color

Dimensions: Standard Golden Age U.S.

Paper Stock: Glossy Cover; Newsprint Interior

Binding: Saddle-stitched

Publishing Format: Was Ongoing

Publication Type: magazinePages 36     Indicia Frequency quarterly

Numbering continues with Lash Larue Western (Charlton, 1954 series) #47

Authors: 

Script ?   Pencils   ?   Inks   ?   Colors  ?   Letters   ?

Information thanks to the Grand Comic Database

Alfred “Lash” LaRue (June 15, 1917–May 21, 1996) was a popular western motion picture star of the 1940s and 1950s. He had exceptional skill with the bull whip and taught Harrison Ford how to use a bullwhip in the Indiana Jones movies. LaRue was one of the first recipients of the Golden Boot Awards in 1983.

Lash LaRue was a roving U. S. Marshal who with his horse Black Diamond (some times called Rush) patrolled the American West righting wrongs and giving lectures about right and wrong and whip safety.

Although he carried a gun, he was noted for preferring to use an 18 foot long bull whip which confronting the bad guys, Lash was so proficient with the whip that he could do more than just battle with one of his more common stunts being saving people about to fall to their doom by wrapping the whip around them, often while at full gallop on Black Diamond, and pulling them to safety. Lash was also known for always wearing black.

He was often opposed by his identical twin brother, a villain known as the Frontier Phantom.

Alfred “Lash” LaRue (June 14, 1921–May 21, 1996) was one of many actors in the 40s and 50s who spent most of his career making B-Westerns, originally hired because he looked enough like Humphrey Bogart that producers thought this would draw in more viewers, along with using his real last name as the name for most of his film characters LaRue also used his real skill with a whip to make his screen character presents more unique.

The comic book series that was named after his screen character was one of the most popular Western Comics published, running for 12 years at Fawcett and then Charlton.

Links: Lash LaRue Western #01 – #46 ⇲⇲

Four Color Dell 1942-1962 [#0301-#0350]

Four Color

Dell, 1942 Series

Published in English (United States) United States

Publication Dates:

    1942 - April-June 1962 

Number of Issues Published:

    1331 (#1 - Little Joe - #1354 - Calvin and the Colonel) 

Color:  Color 

Dimensions:

    Standard Golden Age U.S.; Standard Silver Age U.S. 

Paper Stock:    Glossy Cover; Newsprint Interior 

Binding:    Saddle-stitched 

Publishing Format:   Was Ongoing Series 

Publication Type:   magazine 

Pages  68  Indicia frequency  ?

More information HERE

Four Color  Dell  [#0301-#0350]  1950-1951

TITLES:

Four Color 0301 Zane Grey's The Mysterious Rider

Four color 0302  Santa Claus Funnies

Four Color 0303 - Porky Pig in the Land of The Monstrous Flies 

Four Color 0304 Mickey Mouse

Four Color 0305-Woody Woodpecker

Four color 0306   Raggedy Ann & Andy

Four Color 0307-Bugs Bunny

Four Color 0308 Donald Duck

Four color 0309 Betty Betz' Dollface and her Gang

Four color 0310 King Of The Royal Mounted)

Four Color 0311 Porky Pig in Midget Horses of the Hidden Valley

Four Color 0312 Tonto

Four Color 0313 Mickey Mouse

Four Color 0314 Zane Grey's Ambush

Four color 0315 Oswald The Rabbit

Four Color 0316-Rex Allen

Four Color 0317 Bugs Bunny

Four Color 0318 Donald Duck

Four color 0319 Champion

Four Color 0320-Uncle Wiggley

Four color 0321 The Little Scouts

Four Color 0322-Porky Pig

Four color 0323  Susie Q Smith

Four Color 0324-I Met A Handsome Cowboy

Four Color 0325 Mickey Mouse

Four Color 0326 Andy Panda

Four Color 0327 Bugs Bunny

Four color 0328 Donald Duck in Old California

Four color 0329 Trigger

Four color 0330 Porky Pig Meets the Bristled Bruiser

Four Color 0331 - Walt Disney's Alice in Wonderland

Four Color 0332 Little Beaver

Four Color 0333 Zane Grey's Wilderness Trek

Four Color 0334 Mickey Mouse

Four Color 0335-Francis the talking mule

Four color 0336 Woody Woodpecker

Four Color 0337-Brownies

Four Color 0338 Bugs Bunny

Four Color 0339 Donald Duck

Four color 0340 Zane Grey's King Of The Royal Mounted

Four Color 0341 Unbirthday Party With Alice In Wonderland

Four Color 0342 Porky Pig

Four Color 0343 Mickey Mouse

Four Color 0344 Sergeant Preston

Four Color 0345 Andy Panda

Four Color 0346 Zane Grey's Hide-Out

Four Color 0347-Bugs Bunny

Four color 0348 Donald Duck in 'The Crocodile Collector'

Four Color 0349 Uncle Wiggily

Four color 0350 Woody Woodpecker

Links:[#0301-#0350⇲⇲

The Young Doctors #01-#06 (1963) [Charlton Comics Collection] MISSING #03

Charlton, 1963 Series

Published in English (United States) United States

Publication Dates: January 1963 - 1963 

Number of Issues Published:   #01 - #06 

Color: Color 

Dimensions:   Standard Silver Age US 

Paper Stock:      Glossy cover; Newsprint interior 

Binding:  Saddle-stitched 

Publishing Format:    Was ongoing 

Publication Type:  magazine 

Pages36        Indicia Frequency  bimonthly

Authors:

Script:   Joe Gill ?

   

Pencils: 

    Dick Giordano ?, Charles Nicholas, Pat Masulli ?, Joe Sinnott ?

Inks:

    Dick Giordano, Vince Colletta,  Vince Alascia

Colors:  ?          Letters:    ? 

 Number #03 is still missing

Lost In Space #01-#18 (1991 – 1994) Innovation (Complete Serie)

1991 Series

Publisher: Innovation

Publication Dates: August 1991 – 1993

Number of Issues Published: 12 (#01 – #12)

Color: color

Dimensions: standard Modern Age US

Binding: saddle-stitched

Publishing Format: Was Ongoing

Publication Type: magazine

Pages 36    Indicia Frequency ?

Continues with Lost in Space: Voyage to the Bottom of the Soul (Innovation, 1993 series) #13

Authors: 

Script: David Campiti, Bill Mumy

Pencils: Mike Okamoto (painting), Jason Palmer (painted)

Eddy Newell; Mark Jones (illustrators), Michal Dutkiewicz (painted)

Inks: Mike Okamoto (painting), Jason Palmer (painted), Shane Glines, 

Eddy Newell; Mark Jones (illustrators), Michal Dutkiewicz (painted)

Colors: Mike Okamoto (painting), Jason Palmer (painted)

Michal Dutkiewicz, Mike Deodato Jr. (signed), 

Matt Thompson (signed), Scott Rockwell

Letters:  Vickie Williams, 

Editing: David Campiti; George Broderick Jr

   Lost in Space: Voyage to the Bottom of the Soul

1993 Series

Publisher: Innovation

Publication Dates: 1993 – 1994

Number of Issues Published: 6 (#13 – #18)

Color: Color

Dimensions: standard Modern Age US

Binding: saddle-stitched

Publishing Format: Was Ongoing

Publication Type: magazine

Pages 36    Indicia Frequency ?

Authors: 

Script:  Bill Mumy

Pencils: Michal Dutkiewicz, Mike Deodato Jr. (signed),  Matt Thompson (signed)

Inks: Matt Thompson (signed)

Colors: Michal Dutkiewicz, Mike Deodato Jr. (signed), 

Matt Thompson (signed)

Letters

Vickie Williams, George Broderick; David Campiti

Numbering continues from Lost in Space (Innovation, 1991 series) #12

Lost in Space was a comic book published by Innovation Comics, based upon the television series Lost in Space. It utilized the settings and characters from the series, but was set years after the end of the series, and featured older characters coming to terms with being cut off 

from Earth for so many years.

In the 1980s, Bill Mumy (who played Will Robinson on the series) had tried, and failed, to convince Irwin Allen to allow production of a Lost in Space film for theatres or TV. In 1991, a fledgling publisher called Innovation Comics began to produce an ambitious, high-quality Lost in Space comic, which was authorized and licensed. It was scripted by Mumy himself, and his intention was to reflect the more serious tone of the first season episodes, but this was somewhat undercut by artwork that sexualized the characters of Judy and Penny Robinson, prompting some exasperated notes from Mumy in the editorial pages.

The comic also established a romantic triangle between Judy, Penny (now depicted as someone in her late teens), and Don that was not present in the original series.

One storyline in this comic book retcons the “serious episodes”—which some critics claim ended about a third of the way through the first season—as excerpts from Prof. Robinson’s log, while the more humorous episodes were taken from Penny’s diary. Also suggested is the idea that Dr. Smith is working with some of the aliens encountered in the early episodes, rather than with any terrestrial source, as evidenced by his efforts to make radio contact with some third party after the Jupiter II has left Earth.)

Lost in Space was Innovation’s best selling property, outselling all their other comics combined. The comic only managed to run for 18 issues, 2 annuals and 1 of 2 issues of a miniseries however, but not because of poor sales. Innovation’s ambitious projects couldn’t keep ahead of their bottom line, and the company went out of business.

While this left a major story arc unresolved, a trade paperback entitled

 “Voyage to the Bottom of the Soul” was later published, completing the story.

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Link: Lost In Space #01-#18⇲⇲