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Saturday, 30 September 2017

Army Attack (1964) Series 1 #1 - #4 / Series 2 #38 - #47 (Complete Series) The Charlton Comics Story Part 02 [Charlton Comics Collection]

#01


Numbers of Issues Published:

 Series 1   #01 - #04 (July 1964 - Feb 1965)

Pages: 36     Indicia Frequency:    Four times yearly

                      Series 2 #38 - #47 (July 1965 - Feb 1967)  Formerly U.S. Air Force Comics
Pages: 36   Indicia Frequency:  bi-monthly

Color: Color
Dimensions: Standard Silver Age US
Paper Stock: Newsprint
Binding: Saddle-stitched
Publishing Format:Was Ongoing
Publication Type: magazine



Authors:

Script: Joe Gill? | 
Pencils: Dick Giordano?, Bill Fraccio,  Charles Nicholas, Sam Glanzman,  
Inks:  Pat Masulli?;  Sam Glanzman, Dick Giordano, Tony Tallarico

Series 1    #01 -#04 (July 1964 - Feb 1965)

#03
#02




#04
Series 2   #38 - #47   (July 1965 - Feb 1967)   Formerly U.S. Air Force Comics

#42
#38






#47
#43







 
















The Charlton Comics Story  Part 02


Early years

In 1931, Italian immigrant John Santangelo, Sr., a bricklayer who had started a construction business in White Plains, New York, five years earlier, began what became a highly successfully business publishing song-lyric magazines out of nearby Yonkers, New York. Operating in violation of copyright laws, however, he was sentenced in 1934 to a year and a day at New Haven County Jail in New Haven, Connecticut, near Derby, Connecticut where he and his wife by then lived. In jail, he met Waterbury, Connecticut, attorney Ed Levy, with whom he began legitimate publishing in 1935, acquiring permissions to reproduce lyrics in such magazines as Hit Parade and Song Hits. Santangelo and Levy opened a printing plant in Waterbury the following year, and in 1940 founded the T.W.O. Charles Company, named after each of the co-founders' sons, both named Charles, eventually moving its headquarters to Derby.

The company's first comic book was Yellowjacket, an anthology of superhero and horror stories launched September 1944 under the imprint Frank Comunale Publications, with Ed Levy listed as publisher.Zoo Funnies was published under the imprint Children Comics Publishing; Jack in the Box, under Frank Comunale; and TNT Comics, under Charles Publishing Co.. Another imprint was Frank Publications.

Strange Suspense Stories #75 (June 1965), reprinting the Captain Atom stories from Space Adventures #33, 34 & 36 (1960). Art by Steve Ditko.
Following the adoption of the Charlton Comics name in 1946,[2] the company over the next five years acquired material from freelance editor and comics packager Al Fago (brother of former Timely Comics editor Vincent Fago). Charlton additionally published Merry Comics, Cowboy Western, the Western title Tim McCoy, and Pictorial Love Stories.

In 1951, when Al Fago began as an in-house editor, Charlton hired a staff of artists that included its future managing editor, Dick Giordano. Others, either on staff or freelance, eventually included Vince Alascia, Jon D'Agostino, Sam Glanzman, Rocco "Rocke" Mastroserio, Bill Molno, Charles Nicholas and Sal Trapani. The primary writer was the remarkably prolific Joe Gill.

The company began a wide expansion of its comics line, which would include notoriously gory[citation needed] horror comics (the principal title being Steve Ditko's The Thing!). In 1954–55, it acquired a stable of comic book properties from the defunct Superior Comics, Mainline Publications, St. John Publications, and most significantly, Fawcett Publications, which was shutting down its Fawcett Comics division. Charlton continued publishing two of Fawcett's horror books—This Magazine Is Haunted and Strange Suspense Stories—initially using unpublished material from Fawcett's inventory. Artistic chores were then handed to Ditko, whose moody, individualistic touch came to dominate Charlton's supernatural line. Beset by the circulation slump that swept the industry towards the end of the 1950s,[citation needed] Haunted struggled for another two years, published bi-monthly until May 1958. Strange Suspense Stories ran longer, lasting well into the 1960s before giving up the ghost in 1965.


























Charlton published a wide line of romance titles, particularly after it acquired the Fawcett line, which included the romance comics Sweethearts, Romantic Secrets, and Romantic Story. Sweethearts was the comics world's first monthly romance title[5] (debuting in 1948), and Charlton continued publishing it until 1973. Charlton had launched its first original romance title in 1951, True Life Secrets, but that series only lasted until 1956. Charlton also picked up a number of Western titles from the defunct Fawcett Comics line, including Gabby Hayes Western, Lash LaRue Western, Monte Hale Western, Rocky Lane Western. Six-Gun Heroes, Tex Ritter Western, Tom Mix Western, and Western Hero.

Al Fago left in the mid-1950s, and was succeeded by his assistant, Pat Masulli, who remained in the position for ten years. Masulli oversaw a plethora of new romance titles, including the long-running
 I Love You, Sweetheart Diary, Brides in Love, My Secret Life, and Just Married; and the teen-oriented romance comics Teen-Age Love, Teen Confessions, and Teen-Age Confidential Confessions.

Superheroes were a minor part of the company. At the beginning, Charlton's main characters were Yellowjacket, not to be confused with the later Marvel character, and Diana the Huntress. In the mid-1950s, Charlton briefly published a Blue Beetle title with new and reprinted stories, and in 1956, several short-lived titles written by Superman co-creator Jerry Siegel, such as Mr. Muscles and Nature Boy (the latter with artist Mastroserio), and the Joe Gill-created Zaza the Mystic.
 (To be continued...)




Links⇲⇲   Series 1 #1 - 4 / Series 2 #38 - 47


Friday, 29 September 2017

Dell Movie Classic Collection 01 - A Dog of Flanders



Movie Classic   (1962)

Publisher: Dell

Publication Date: May/Jul 1962 - 1970

Country: United States

Language: English 


This is a somewhat "invented" title. In truth, each issue was published as a one shot, and came out roughly when the movie of the same name did. Despite the fact that these are essentially one-shots, convention amongst those who collect these issues is that they're all generally grouped together under the only words that appeared on the cover of all issues, Movie Classic. This "title" is consistently seen across a wide variety of referential and common usages, including The Overstreet Price Guide, the Michigan State University comic library, auction listings, specialized fan sites, and many comic review sites.

Cracking the code

Despite the wide usage of the term, "Movie Classic", there is great justification for viewing each issue of this "series" as a one-shot within its own title. In the first place, no issue bears an indicia which includes the words, "Movie Special". The titles given in each indicia are particular to the issue in question. Indeed, the strange numbering system on each cover reveals that they were clearly one-shots.
Each number is given in terms of an eight digit code: PP-TTT-YMM.
The first two digits had to do with the price. If the issue cost 15¢, it got the code "01". If it cost 12¢, then it got the code "12".
The next three digits were a numeric code based upon the title of series. This code was relative to the title's position in the alphabet. Hence Zulu was given the relatively high number of "950", while Around the World Beneath the Sea got the much lower "030". Titles beginning with letters of the alphabet between "A" and "Z" got numbers in between.
The final three digits were coded for the last digit of the year, plus two digits for the month. Therefore, a number ending in 010 would have been released in October, 1970.
When looked at in full, The Prince and the Pauper's code of 01-654-207 thus meant "a 15¢ issue with a title beginning with the letters "PRI" whose last month of release was July 1962."
Since the system applied across all Dell titles, the implication of no two issues of Movie Classic having the same title code is that they should be considered as separate titles.
However, this code was so deliberately obscure that most collectors weren't aware of its meaning until scholarship long after Dell stopped publishing. Thus, the words "Movie Classic" seen on every cover gave rise to a tradition of grouping these issues together. It is that tradition, more than strict indicia accuracy, that we respect here.



The series' run

Beginning and ending dates for this title are speculative and incomplete. Finding the complete list of everything that could be considered a part of this title is difficult, because of the ephemeral nature of these issues; they were tie-ins to movies that, generally, led to no further comic stories. Indeed many of the films that received treatment here are now themselves mostly forgotten.


Four Color "Movie Classics" vs. Movie Classics

Just to add to the confusion, Dell released a number of issues of Four Color with the words "Movie Classic" on the cover. However, Four Color Movie Classics are distinguishable from this series by a difference in the way the words "Movie Classic" appear on the cover.  If the issue is a Four Color Movie Classic, the words "Movie Classic" appear in somewhat stylized type within the Dell logo box. If they're a part of the Movie Classic series, they appear elsewhere on the cover, in a simple sans serif font.
Also, the numbering system is different. Four Color Movie Classics are in the format XXXX-YYY, whereas "genuine" Movie Classics have the format PP-TTT-YMM. (For Four Color Movie Classics, this XXXX-YYY format is truncated to just XXXX on the cover, whereas the cover number for Movie Classics is the full PP-TTT-YMM code.)

[http://comicbookdb.com]


A Dog Of Flanders

Four Color Comics (1942) - #1088


Writers: Eric Freiwald, Robert Schaefer

Pencillers: Dan Spiegle, Bill Ziegler

Inker: Dan Spiegle

Cover Artist: (Contains Photographic Elements)

Cover Date: April 1960  Cover Price: US $ 0.10

Format: Color;  Standard Comic Issue; 36 pages

Summary


Film specifications :

A Dog of Flanders












Comic (32 pages)


Writers: Eric Freiwald, Robert Schaefer

Pencillers: Dan Spiegle, Bill Ziegler

Inker: Dan Spiegle














Page 35
Page 36

























 Link ⇊⇊ 

Wednesday, 27 September 2017

Sun #008 - #009 - #010 J. B. Allen, 1947 Series





















The Sun (originally simply Sun) was comic launched on 11 November 1947 
by publisher J. B. Allen, changing from weekly to fortnightly during its run. 
It had previously been a health magazine called Fitness and Sun. 

1947 Series
Publication Dates: 1947 – 1949
Number of Issues Published: 41 (#1 – #41)
Color: Red & Green Front Cover; Red & Green Back Cover; Red & Green Centrefold; Black & White Interior
Dimensions: 91/2″x 121/4″
Paper Stock: Newsprint
Binding: Loose Pages
Publishing Format: Was ongoing series

1952 Series
Publication Dates: March 29,1952 – 1959
Number of Issues Published: 395 (#164 – #558)
Color: Colour Cover; Black & White Interior; Colour Centrefold
Dimensions: 7 1/4″ x 9 1/2″

Paper Stock: Newsprint
Binding: Saddle-Stitched
Publishing Format: Was ongoing series
Publication Type: magazine

More information about this collection, here


























 Links ⇊⇊ 

Monday, 25 September 2017

Abbott & Costello (Charlton) #01-#22 (1968 – 1971) [Charlton Comics Collection] Complete Series / Abbott and Costello (St. John) #01- #40 (1948-1956) Missing #16, #19, #23-#27 & #38. The Charlton Comics Story Part 01 - [Charlton Comics Collection ]



Abbott & Costello (Charlton - St. John)

Publisher: Charlton
Publication Dates: February 1968 – August 1971
Number of Issues Published: 22 (#1 – #22)
Color: Color
Dimensions: Standard Silver Age US Size
Paper Stock: Newsprint
Binding: Saddle-stitched
Publishing Format: Was Ongoing
Publication Type: magazine
Pages: 36      Indicia Frequency: bi-monthly

Notes
Based on the Hanna-Barbera versions of the characters.

Indicia title is "Abbott & Costello" in issue #2.

Authors: 

Script:
Steve Skeates, Denny O'Neil [as Sergius O'Shaughnessy],
Pencils:
Henry Scarpelli, Richard "Grass" Green,
Inks:
Henry Scarpelli, Richard "Grass" Green,
Colors:
?
Letters:
Charlotte Jetter, Richard "Grass" Green, Ray Burzon ?,



Publisher: St. John
Publication Dates: February 1948 – September 1956
Number of Issues Published: 40 (#1 – #40)
Color: Color
Dimensions: Standard Silver Age U. S.
Paper Stock: Glossy Cover, Newsprint Interior
Binding: Saddle-Stitched
Publishing Format: Was Ongoing Series
Pages: 36      Indicia Frequency: bi-monthly

Notes
Reprinted (#1-3?) as Abbott & Costello (1948 series)
Publication Services Limited.

Authors:

Script
John Graham (credited)
Pencils
Lily Renée [as Lilly Renée] (credited); Eric Peters (credited)
Inks
Lily Renée [as Lilly Renée] (credited); Eric Peters (credited)
Colors
?
Letters
?


Based on the Hanna-Barbera versions of the characters.

Information thanks to the Grand Comic Database

William “Bud” Abbott and Lou Costello were an American comedy duo whose work in vaudeville and on stage, radio, film and television made them the most popular comedy team during the 1940s and early 1950s. Their patter routine “Who’s on First?” is considered one of the greatest comedy routines of all time and set the framework for many of their best-known comedy bits.

Bud Abbott (1895–1974) was a veteran burlesque entertainer from a show business family. He worked at Coney Island and ran his own burlesque touring companies. At first he worked as a straight man to his wife Betty, then with veteran burlesque comedians like Harry Steppe and Harry Evanson. When he met his future partner in comedy, Abbott was performing in Minsky’s Burlesque shows.Bud had been working at least a decade prior to meeting Lou Costello.

Lou Costello (1906–1959) had been a burlesque comic since 1930 after failing to break into movie acting and working as a stunt double and film extra. He appears briefly in the 1927 Laurel and Hardy silent two-reeler, The Battle of the Century, seated at ringside during Stan’s ill-fated boxing match. As a teenager, Costello had been an amateur boxer in his hometown of Paterson, New Jersey. Lou Costello was introduced to burlesque through the Ann Corio Show. He was a “dancing juvenile,” who came out before the top banana and warmed up the audience – only he would get the laughs.

The two men first worked together in 1935 at the Eltinge Burlesque Theater on 42nd Street—now the lobby of the AMC Empire movie complex in New York City. This first performance occurred due to Costello’s regular partner being ill. When AMC moved the old theater 168 ft (51 m) west on 42nd Street to its current location, giant balloons of Abbott and Costello were rigged to appear to pull it.

Other performers in the show, including Abbott’s wife Betty, advised a permanent pairing. The duo built an act by refining and reworking numerous burlesque sketches into the long-familiar presence of Abbott as the devious straight man and Costello as the stumbling, dimwitted laugh-getter.

[movieandtelevisioncomics.wordpress.com]




Cover nº 40 St. John


The Charlton Comics Story  Part 01



Charlton Comics was an American comic book publishing company that existed from 1945 to 1986, having begun under a different name (T.W.O. Charles Company) in 1944. It was based in Derby, Connecticut. The comic-book line was a division of Charlton Publications, which published magazines (most notably song-lyric magazines), puzzle books and, briefly, books (under the Monarch and Gold Star imprints). It had its own distribution company (Capital Distribution).


Charlton Comics published a wide variety of genres, including crime, science fiction, Western, horror, war and romance comics, as well as funny animal and superhero titles. The company was known for its low-budget practices, often using unpublished material acquired from defunct companies and paying comics creators among the lowest rates in the industry. Charlton Comics were also the last of the American comics to raise their price from ten cents to 12 cents in 1962.


It was unique among comic book companies in that it controlled all areas of publishing—from editorial to printing to distribution—rather than working with outside printers and distributors as did most other publishers. It did so under one roof at its Derby headquarters.

1958 aerial shot of The Charlton Building from the July, '58 issue of Newsdealer.
The caption states, "This huge publishing-printing-distributing organization occupies
a modern 71/2-acre plant in central Connecticut. Courtesy of Bob Beerbohm


The company was formed by John Santangelo, Sr. and Ed Levy in 1940 as T.W.O. Charles Company, named after the co-founders' two sons, both named Charles, and became 
Charlton Publications in 1945. (To be continued...)



More information about Charlton Comics

http://dc.wikia.com/wiki/Charlton_Comics

http://www.powerofcomics.com/the-charlton-comics-story

http://twomorrows.com/comicbookartist/articles/09empire.html

https://www.firstcomicsnews.com/the-charlton-comics-mystique-part-1/

http://comicbookplus.com/?cid=812

https://digitalcomicmuseum.com/index.php?cid=264




 Links ⇲⇲
 Abbott and Costello,  Charlton  

Numbers 03, 04, 13, 14, 15 & 18  Courtesy of Jens Terje

Abbott and Costello,  St. John

Numbers 16, 19, 23-27 and 38 are still missing

Friday, 22 September 2017

Big Town (1951) Comic books Issue #03



Issue #3
Published March 1951
Cover Price 0.10 USD
Pages 52
Editing Whitney Ellsworth
Cover Details " Will tomorrows headlines..."
Pencils Dan Barry
Inks Dan Barry


10 page Big Town story "Phantom from the Past"
Script Dave Wood
Pencils Dan Barry
Inks Sy Barry


10 page Big Town story "Steve Wilson's Disgrace"
Script Dave Wood
Pencils Dan Barry
Inks Sy Barry


8 page Johnny Law story "The Fearsome Film"
Pencils Win Mortimer
Inks Win Mortimer


10 page Big Town story "The Cruelest Racket in the World"
Script Evelyn Goodman (story); France Herron (re-write)
Pencils Dan Barry
Inks Sy Barry




mng




















More information about this collection, here

 Link ⇊⇊